← All comparisonsPortable Bluetooth Speakers · 28 models compared

Portable Bluetooth Speakers 2026, Compared: 28 Models by Real Playtime, Waterproofing, and Weight

A spec-by-spec comparison of 28 portable Bluetooth speakers, with every battery figure stripped back to the manufacturer's base rating instead of the number on the box.

UPDATED JUL 21, 202614 MIN READ
JBL Charge 6Best overall

JBL Charge 6

Twenty-four base hours, the toughest ingress rating in the group, a two-way USB-C port that charges your phone, and it still fits in one hand.

Marshall Emberton IIILongest battery

Marshall Emberton III

Thirty-two rated hours with no boost-mode asterisk, the highest honest figure anyone here publishes.

Anker Soundcore Select 4 GoBest budget pick

Anker Soundcore Select 4 Go

Twenty hours and IP67 in a half-pound puck, from the brand with the deepest review history in cheap portable audio.

JBL Boombox 4Best for an actual party

JBL Boombox 4

Twenty-eight base hours and IP68 in the only speaker here built to be carried by a handle rather than a strap.

How they compare

The full field on every attribute that matters. Sort any column; the best value in each is tinted green.

28 portable bluetooth speakers · compared
Anker Soundcore Boom 2 Plus8.5Owners rate it above reviewers, which almost never happens; huge clean bass and a real 9-band EQ for roughly half what JBL charges for this volume.20 hoursIPX78.38 lbYesYes5.3
Anker Soundcore Motion 3007.8Beats its own battery rating, has the best app under $100, and images well once EQ'd, but treble is dull and it distorts when pushed.13 hoursIPX71.71 lbYesNo5.3
Anker Soundcore Select 4 Go7.6Absurd value at roughly twenty dollars with a 9-band EQ and real endurance, held back by sharp highs, no volume, and rubber feet that peel.20 hoursIP670.58 lbYesNo5.4
Bang & Olufsen Beosound A1 (3rd Gen)7.5TechRadar's Editor's Choice and a four-star What Hi-Fi verdict: composed, punchy sound in a repairable, battery-replaceable shell, held back only by what rivals give you for less.24 hoursIP671.27 lbYesNo5.1
Beats Pill (2024)6.8Fine at a discount, but the mids are buried, there is no EQ at all, and owners report overheating and playback dropping out.24 hoursIP671.5 lbYesYes5.3Beats’ own page says only “Class 1 Bluetooth” with no version. 5.3 comes from Apple’s spec sheet as reported by 9to5Mac.
JBL Boombox 48.2Nothing else here comes close on volume or runtime, but it pumps and compresses when pushed, and drop tests made it shut itself off.28 hoursIP6813 lbYesYes5.4
JBL Charge 69.2The default answer in this field: genuinely loud, tough enough to abuse, best app of the bunch, and street pricing that undercuts everything comparable.24 hoursIP682.11 lbYesYes5.4
JBL Clip 58.0Punches far past its size and price, takes real abuse on a bag strap, and gets a proper EQ; it just turns shrill wide open.12 hoursIP670.63 lbYesNo5.3
JBL Flip 78.6Distortion is dramatically better controlled than the Flip 6 and it survives more abuse, so the halved real-world battery is a fair trade at street price.14 hoursIP681.23 lbYesNo5.4
JBL Go 46.0Comfortably outlasts its own battery rating and gets a real EQ, but it compresses and hisses when pushed, and the Clip 5 is worth the stretch.7 hoursIP67Best in column0.42 lbYesNo5.3
JBL Xtreme 46.6Weakest-sounding big JBL: nearly mono imaging, bass distorting from about seventy percent, and it has already been superseded at a similar price.24 hoursIP674.63 lbYesYes5.3
Marshall Emberton III8.0Trusted Reviews and TechRadar both praise the balance and honest battery, but it turns harsh wide open and Marshall gives you presets instead of a real EQ.Best in column32 hoursIP671.48 lbNoNo5.3
Marshall Middleton6.3Discontinued and heavily discounted, which is the only reason to consider it: SBC-only Bluetooth, soft midrange, four pounds, and a master of nothing.20 hoursIP673.97 lbYesYes5.1
Marshall Willen II6.4Holds its tone almost to maximum and shrugs off anything, though Consumer Reports found the midrange grainy and congested; the recent price drop is what saves it.17 hoursIP670.79 lbNoNo5.3
Sonos Move 26.1The battery genuinely lasts and it doubles as a proper home speaker, but it is too heavy to carry, cannot get wet, and rivals sound better for less.24 hoursIP566.61 lbYesYes5.0
Sonos Roam 26.2Sounds bigger than it looks and reviewers rate the audio well, but Sonos app setup is a genuine ordeal and cheaper speakers beat it sonically.10 hoursIP670.95 lbYesNo5.2
Sony SRS-XB1007.4Does one job, personal listening, better than anything at fifty dollars, but treble is muddy and it audibly compresses at the top of the dial.16 hoursIP670.6 lbYesNo5.3
Sony ULT Field 16.4Thin without the bass button and bloated with it, and Sony will not let you EQ the good preset, though the battery beats its rating.12 hoursIP671.43 lbYesNo5.3
Sony ULT Field 35.5Real endurance and a fun bass preset, but What Hi-Fi found it forgettable, TechRadar was let down by the audio, and the EQ cannot match the ULT mode.24 hoursIP672.65 lbYesYes5.2Sony’s regional spec pages state 5.2 and SoundGuys states 5.3. We record the manufacturer’s figure.
Sony ULT Field 55.9Trusted Reviews gave it four stars for loud, punchy party sound, but it is heavy, the ULT presets cannot be edited, and rivals do it for less.25 hoursIP677.28 lbYesYes5.3
Tribit StormBox Blast 27.7TechRadar gave it four and a half stars for controlled, huge bass while undercutting JBL's boombox, though mids blur and it is brutally heavy.30 hoursIP6715.76 lbYesYes5.4
Ultimate Ears BOOM 47.0Loud with little compression and famously indestructible, but the treble is veiled, there is no multipoint, and USB-C is the only real upgrade.15 hoursIP671.37 lbYesNon/aUltimate Ears does not publish a Bluetooth version for the BOOM 4, and no lab-grade review states one. A single low-authority site claims 5.1, which was not enough to record it as fact.
Ultimate Ears EPICBOOM6.2Four stars from both TechRadar and Tom's Guide for balanced, room-filling sound, but the adaptive EQ does nothing, it lacks energy, and Sonos does more for the money.17 hoursIP674.36 lbYesNo5.3
Ultimate Ears MEGABOOM 46.9TechRadar scored it four stars: real volume and unchanged pricing, though it muddles busy rock and only comes alive once you turn it up.20 hoursIP672.06 lbYesNo5.2Ultimate Ears omits the Bluetooth version from its own spec sheet. 5.2 comes from TechRadar’s review spec table, not from the manufacturer.
Ultimate Ears WONDERBOOM 46.5Tough, floats, and easy to live with, but DSP strangles the bass past sixty percent and there is no app whatsoever.14 hoursIP670.93 lbYesNo5.2
How the AI score works, and who wrote it

A language model rated these, not a test lab. Every score from1 to 10 is an AI assessment of how good the product is against the other 28 in this comparison, formed from the specifications we verified plus the published lab reviews and owner reception found while researching each one. Nobody at Slopsheets listened to, wore or plugged in any of it.

It weighs the things a spec table cannot show: how a product is actually reviewed, how well the software works, build quality, and what you get for the money. That is deliberate. An earlier version of this column was pure arithmetic on the table and it ranked a bundle of cheap boxes above a class-leading single unit, because counting hardware is not the same as judging it.

Treat it as an informed starting point and read the sourced comparison, not as a verdict. The score is relative to this comparison only, so it means nothing across categories, and it carries no price, star rating or review count. Every specification behind it is sourced and checked; the score on top of them is opinion.

There is a specific thing that happens when you compare portable speakers, and it is the reason this table exists. You line up the battery numbers off the boxes, JBL says 16 hours for the Flip 7, Marshall says 32 for the Emberton III, and you conclude Marshall has doubled JBL. Then you read the actual spec sheet and find that JBL's 16 is 14 hours of playback plus 2 more from a boost mode that turns the volume down for you. Marshall's 32 is just 32.

Nobody is lying. The numbers are simply not the same number, and every roundup on the internet stacks them in one column anyway.

So the playtime figures in the table on this page are base ratings only. Where a manufacturer publishes a boosted figure, we used the unboosted one underneath it. That is the single biggest piece of normalization work in this category and it reorders the rankings substantially.

Six specs decide how a portable speaker actually behaves once you own it: how long it runs, what it survives, what it weighs, whether it can gang up with other speakers, whether it can rescue your phone at 4pm, and which Bluetooth version it speaks. Everything else is voicing, and voicing is a taste argument the table cannot settle for you.

Rated playtime: 7 hours to 32, once you strip the boost modes

The honest spread here runs from the JBL Go 4 at 7 hours to the Marshall Emberton III at 32.

JBL is the whole reason this section needs a caveat. Its published spec sheets separate the two figures explicitly: the Flip 7 is 14 hours plus 2 with Playtime Boost, the Charge 6 is 24 plus 4, the Xtreme 4 is 24 plus 6, the Boombox 4 is 28 plus 6, the Go 4 is 7 plus 2, the Clip 5 is 12 plus 3. The marketing everywhere else quotes the sums. Playtime Boost is a real feature and it does buy you those hours, but it does so by capping output, so comparing a boosted JBL against an unboosted Marshall is comparing a quiet speaker to a loud one.

With that flattened, the top of the table is Marshall's Emberton III at 32 hours, the Tribit StormBox Blast 2 at 30, the JBL Boombox 4 at 28, and then a wide band of 24-hour speakers: the Charge 6, the Xtreme 4, the Sony ULT Field 3, the Sonos Move 2, the Beats Pill, and the Bang & Olufsen Beosound A1. The Sony ULT Field 5 edges past them at 25.

The bottom is more interesting than the top. The Sonos Roam 2 rates 10 hours, the lowest of any speaker here that costs real money, and that is the price of a speaker that is really a Wi-Fi speaker with a battery bolted on. SoundGuys' testing of the wider Sonos portable line has repeatedly found the Wi-Fi radio is what eats the budget. If the Roam 2 lives on your kitchen counter and occasionally goes outside, 10 hours is irrelevant. If it lives in a bag, 10 hours is a problem.

The Anker Soundcore Select 4 Go is the outlier that should embarrass most of this list. Twenty hours, in something that weighs a little over half a pound, at a price that rounds to nothing.

Slopsheets says: Treat 20 base hours as the line between a speaker you charge weekly and one you charge constantly. Anything quoting a "boost" or "extended" mode is quoting two products in one number, so find the base figure before you compare it against anything.

Water and dust: what IP67 actually buys, and the one speaker that skips it

Twenty of the 28 speakers here are IP67, which has quietly become the floor for the category. The digits are worth knowing: the first is dust, the second is water. A 6 for dust means fully sealed. A 7 for water means 30 minutes at one metre. So IP67 means sand and a dunk, which is exactly the failure mode these things face.

Three speakers go further to IP68, and they are all JBL: the Flip 7, the Charge 6, and the Boombox 4. The eighth digit means immersion deeper than one metre to the manufacturer's stated conditions. In practice, for a pool, the difference between IP67 and IP68 is close to academic, and neither one covers salt water corrosion, which is what actually kills speakers at the beach.

Two Anker units, the Motion 300 and the Boom 2 Plus, are IPX7. The X is not a failure, it means dust was never tested. Given the Boom 2 Plus is explicitly sold as a beach and pool speaker and floats, an untested dust rating on a device that will spend its life in sand is a strange gap to leave in the paperwork.

Then there is the Sonos Move 2 at IP56, the only speaker in this comparison with no immersion rating at all. IP56 is dust-protected and rated for water jets, so rain and a hose are fine. A pool is not. What Hi-Fi's review of the Move 2 makes the same point in different words: this is a patio speaker that can go camping, not a poolside speaker.

The one rule: IP67 is the number to hold out for and 20 of these clear it. The upgrade to IP68 is not worth reordering your shortlist over. The downgrade to IP56 on the Move 2 genuinely is, if water is anywhere in your plan.

Weight: the spec that decides whether it ever leaves the house

This is where the category stops being one category. The range in this table is a factor of 37, from the JBL Go 4 at 0.42 lb to the Tribit StormBox Blast 2 at 15.76 lb.

37×
the weight spread in this table, from the 0.42 lb JBL Go 4 to the 15.76 lb Tribit StormBox Blast 2. The spec that decides whether a speaker ever leaves the house.

Four rough tiers emerge, and they map onto real behaviour:

Under one pound is the clip-and-forget tier: the JBL Go 4 (0.42), the Anker Soundcore Select 4 Go (0.58), the Sony SRS-XB100 (0.6), the JBL Clip 5 (0.63), the Bose SoundLink Micro (0.73), the Marshall Willen II (0.79), the UE WONDERBOOM 4 (0.93), and the Sonos Roam 2 (0.95). These attach to a backpack strap and you forget they are there.

One to two pounds is the everyday tier and it is the most crowded: the Bang & Olufsen Beosound A1 (1.27), the JBL Flip 7 (1.23), the Bose SoundLink Flex (1.29), the UE BOOM 4 (1.37), the Sony ULT Field 1 (1.43), the Marshall Emberton III (1.48), the Beats Pill (1.5), the Anker Motion 300 (1.71). This is the size that fits in a bag you were bringing anyway, which is why every brand ships one.

Two to five pounds is the deliberate-decision tier: the JBL Charge 6 (2.11), the UE MEGABOOM 4 (2.06), the Sony ULT Field 3 (2.65), the Marshall Middleton (3.97), the UE EPICBOOM (4.36), the JBL Xtreme 4 (4.63), the Bose SoundLink Max (4.9). You pack these on purpose, for a specific afternoon.

Above five pounds they are luggage: the Sonos Move 2 (6.61), the Sony ULT Field 5 (7.28), the Anker Boom 2 Plus (8.38), the JBL Boombox 4 (13), the Tribit StormBox Blast 2 (15.76). The Boombox 4 and the Blast 2 both ship with carrying handles because straps stop being credible around ten pounds.

One warning on published weights generally: manufacturers and Amazon listings frequently disagree because one is quoting the speaker and the other is quoting the shipping box. Every figure in our table is the speaker alone, converted from the manufacturer's own metric mass where one exists.

The catch: Buy for the bag you already carry, not the party you are imagining. The 1 to 2 lb tier is where the category has concentrated its engineering, and the honest reason is that it is the only tier people take outside more than twice.

Linking speakers together: Auracast, PartyUp, and Marshall's quiet retreat

Twenty-six of the 28 speakers here can link to at least one other speaker. That sounds like the column does no work, and then you read what "link" means in each ecosystem and it turns out to mean five different things.

All six JBL units support Auracast, the Bluetooth LE Audio broadcast standard, which is the only genuinely cross-brand mechanism in this list. Ultimate Ears runs PartyUp across the BOOM 4, MEGABOOM 4, and EPICBOOM, chaining upwards of 150 UE speakers, though the WONDERBOOM 4 is limited to doubling up with a second WONDERBOOM 4. Anker's PartyCast 2.0 links the Boom 2 Plus across the wider Soundcore range, while the Motion 300 and Select 4 Go only manage true wireless stereo with an identical twin. Sonos groups its units over Wi-Fi, which is a different and much more capable thing than any of the above, and also the reason the Roam 2's battery is what it is. Bose, Sony, and Beats each run their own closed pairing modes.

The box says

Pairs with other speakers: 26 of the 28 here can link to at least one more.

The fine print says

"Link" means five incompatible things, almost all locked to one brand. Auracast is the only cross-brand route, and two Marshalls dropped multi-speaker pairing altogether.

The two speakers that cannot do it at all are the Marshall Emberton III and the Marshall Willen II, which is a downgrade Marshall does not advertise. Marshall's own support documentation states that Stack Mode, its multi-speaker feature, works on the Emberton II, the first-generation Middleton, and the first-generation Willen. The third-generation Emberton and second-generation Willen dropped it. Both are marketed as Bluetooth LE Audio capable, which is a plausible route to Auracast in a future firmware update, but firmware that does not exist yet is not a feature you can buy today. The Middleton in this table is the first generation and does still have Stack Mode.

What the box won't tell you: If you already own speakers, this column is really asking which walled garden you are standing in. If you own nothing yet, Auracast is the only answer here that is not a bet on one brand, and JBL is the only brand in this comparison shipping it across its whole range.

Charging your phone: eleven of 28 can, and one of them cheats

The USB-C port on the side of a speaker is doing one of two jobs, and the manufacturers are not always eager to tell you which.

Eleven speakers here can push power back out to a phone: the JBL Charge 6, Xtreme 4, and Boombox 4, the Bose SoundLink Max, the Sony ULT Field 3 and ULT Field 5, the Marshall Middleton, the Anker Boom 2 Plus, the Sonos Move 2, the Tribit StormBox Blast 2, and the Beats Pill. On the Charge 6 this is close to the entire product thesis, and has been since the Charge line started.

The Boombox 4 is the one to read the footnote on. It charges your phone over USB-C, but it cannot be charged over USB-C itself, it takes AC in. That is a fine trade for a 13 lb speaker that lives near an outlet, and it is invisible in any comparison table that renders this column as a checkmark, including ours.

The rest, including every speaker under a pound, treat USB-C as an input only. The JBL Flip 7 is a good illustration of how easily this gets misread: it has a USB-C port that handles both charging and lossless USB audio, and no charge-out at all. A port is not a promise.

Only matters if: This is a genuine tiebreaker on a camping trip and irrelevant everywhere else. If it matters to you, the Charge 6 is the smallest speaker here that does it well, at 2.11 lb.

Bluetooth version: mostly 5.3, and two speakers nobody will tell us about

This is the column with the least drama and the worst paperwork.

Twelve of the 28 speakers run Bluetooth 5.3, six run 5.4, and the rest scatter between 5.0 and 5.2. In practice the jump from 5.0 to 5.4 buys you connection stability and range rather than anything you can hear, so this spec is a tiebreaker rather than a reason to choose. The genuinely interesting entries are at the bottom: the Sonos Move 2 at 5.0 and the Marshall Middleton and Bang & Olufsen Beosound A1 at 5.1, all three of which are older designs still selling at full price.

What deserves more attention is how badly this spec is documented. Ultimate Ears does not state a Bluetooth version anywhere on its own product pages, which is why the BOOM 4 is the one cell in this entire table we have left empty. A single low-authority site claims 5.1 for it; that is not a source, so we did not record it. The MEGABOOM 4 has the same gap in the manufacturer's paperwork, and its 5.2 comes from TechRadar's review rather than from Ultimate Ears.

Two more cells carry a caveat rather than a hole. Sony's own regional spec pages list the ULT Field 3 at 5.2 while SoundGuys reports 5.3, and we went with the manufacturer. Beats publishes only "Class 1 Bluetooth" with no version at all, so the Pill's 5.3 comes from Apple's spec sheet by way of 9to5Mac.

Every one of those four cells is marked in the table, and clicking the marker tells you exactly where the number came from or why there isn't one. Nowhere in this comparison did we fill a gap with a plausible guess.

Don't overpay for: Anything 5.2 or later is fine and the differences above that are not audible. Treat this column as a proxy for how recently the speaker was designed, and treat a manufacturer that won't publish it at all as its own small data point.

What the table is actually telling you

Sort by battery and Marshall wins. Sort by weight and the sub-pound tier is dominated by Anker and Sony. Sort by ingress rating and JBL takes the top three. No speaker in this comparison wins two columns outright, which is the most useful thing the table says: the category has no dominant product, only a set of well-executed tradeoffs.

The Charge 6 is our overall pick because it is the only speaker that finishes in the top third of four columns at once without finishing last in any of them. That is not the same as being the best sounding speaker here, and we make no claim that it is. Sound quality is the one thing we deliberately do not put in the table, because there is no honest way to make it a sortable number, and the labs that do measure it properly are linked below.

Sources / further reading